{"id":86,"date":"2024-08-14T14:16:32","date_gmt":"2024-08-14T13:16:32","guid":{"rendered":"https:\/\/imagingpeace.org\/?page_id=86"},"modified":"2025-01-23T05:35:58","modified_gmt":"2025-01-23T05:35:58","slug":"chiapas-photography-project","status":"publish","type":"page","link":"https:\/\/imagingpeace.org\/index.php\/chiapas-photography-project\/","title":{"rendered":"Chiapas Photography Project"},"content":{"rendered":"

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PROJECTS<\/a> | ENGLISH<\/a> |\u00a0 ESPA\u00d1OL<\/a>\u00a0 |\u00a0 FRAN\u00c7AIS<\/a><\/p>\n

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Chiapas Photography Project<\/strong><\/h1>\n

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Country: Mexico<\/strong><\/h3>\n

Participants: Indigenous communities, Chiapas<\/strong><\/h3>\n

Website<\/a><\/h3>\n

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Jpimil koton<\/strong>
My sweater
\u00a9 Xunka\u2019 L\u00f3pez D\u00edaz, 2000<\/strong><\/h5>\n

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Formed in 1992, the Chiapas Photography <\/em>Project (CPP)<\/strong><\/a> is an indigenous photography program based in Chiapas, Mexico, that runs photography workshops with indigenous communities and an archive of indigenous photography.<\/p>\n

The southern state of Chiapas, where almost a third of the population is indigenous and an estimated 56 different native languages are spoken, is affected by ongoing and interlinked forms of conflict and violence. The 1994 indigenous armed Zapatista uprising against government state forces and the subsequent crisis was the consequence of human rights abuses against indigenous populations, extreme material deprivation, institutional racism, and revisions to communal land laws. Years of tension ensued with eruptions of violence and a stagnating peace process that created divisions between indigenous communities. Government counterinsurgent methods resulted in disappearances and the forced displacement of indigenous communities. The conflict died down by the late 2010s but ongoing violence continues to affect Chiapas\u2019s indigenous communities. Armed paramilitary groups, land disputes, forced displacements, inter-group conflicts, and, more recently, the increasing presence and influence of drug cartels have led to a rise in everyday and generalised violence, disappearances, and shootings, forcing many to leave their homes.<\/p>\n

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Tajimal K\u2019in ta Tenejapa \/ Carnaval en Tenejapa, a Tseltal Community in Chiapas
\u00a9 Petul Hern\u00e1ndez Guzm\u00e1n, 2006<\/strong><\/h5>\n

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X Chumty\u00e4l. Lives Through Time: Portrait of a Chol family.
\u00a9 Refugia Guzm\u00e1n P\u00e9rez<\/strong><\/h5>\n

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Bats\u2019i K\u2019op ta tsotsil yu\u2019un Chamo\u00b4\/Nuestra lengua tsotsil de Chamula \/ Our Tsotsil Language of Chamula,
\u00a9 Juana L\u00f3pez L\u00f3pez, 2012<\/strong><\/h5>\n

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For over 30 years, CPP has<\/i>\u00a0dedicated itself to creating opportunities for artistic and cultural self-expression for indigenous Mayan peoples through photography. Founded by Sister Carlota Duarte, it is run and managed by an indigenous staff based in San Crist\u00f3bal de Las Casas.<\/p>\n

Since its inception, CPP has<\/i> trained over 500 indigenous photographers of different ethnic and linguistic backgrounds in both analogue and digital photography, bringing together many different communities and groups. Out of these workshops, individual indigenous artists emerge and are provided with support to pursue their own special projects celebrating and documenting their cultural heritage and historical memory. Many of these special projects are published as books and exhibitions. In addition, CPP<\/em> established the Archivo Fotogr\u00e1fico Ind\u00edgena<\/em>, an archive of indigenous photography that houses over 85,000 negatives taken by photographers trained by the CPP<\/em>. Images by CPP<\/em> photographers have been published and exhibited in their communities and all over the world. The project archive is stored at the University of Stanford Library, where it is available to researchers and is supplemented annually with new materials.<\/p>\n

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Visiones: Gertrude Duby Blom y fot\u00f3grafos mayas de Chiapas 1950-2000
\u00a9 Gertrude Duby Blom and Mayan Photographers from Chiapas, 2000<\/strong><\/h5>\n

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Bats\u2019il k\u2019op tseltal ta Tenejapa \/ La lengua tseltal de Tenejapa \/ Our Tseltal Language of Tenejapa
\u00a9 Antonia Gir\u00f3n Intz\u00edn, 2012<\/strong><\/h5>\n

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Mi hermanita Cristina \/ My Little Sister Cristina, a Chamula Girl
\u00a9 Xunka\u2019 L\u00f3pez D\u00edaz, 2000<\/strong><\/h5>\n

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Creencias de nuestros antepasados \/ Beliefs of Our Ancestors
\u00a9 Maruch S\u00e1ntiz G\u00f3mez, 1998<\/strong><\/h5>\n

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Ixim \/ Ma\u00edz \/ Corn
\u00a9 Emiliano Guzm\u00e1n Meza, 2004<\/strong><\/h5>\n

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CPP<\/em> photographers do not explicitly tackle themes of peace and conflict in their images. However, in celebrating and sharing indigenous cultures and languages, these photographers make an active choice to foster cultures of peace by turning the camera to focus on their cultural traditions and history. Indigenous culture has long been catalogued and appropriated by outsiders and is heralded as a central part of Mexican identity despite the ongoing marginalisation and impoverishment of indigenous communities. Taking charge of the camera, these indigenous photographers\u2019 work acts as a form of resistance, preserving and communicating their culture on their own terms.\u00a0<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.27.0″ _module_preset=”default” background_color=”#EBEFE6″ custom_margin=”46px|auto|61px|auto||” custom_padding=”91px|||||” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_testimonial author=”Maruch S\u00e1ntiz G\u00f3mez” company_name=”Independent artist and former CPP participant and staff member” font_icon=”||fa||900″ use_icon_font_size=”on” _builder_version=”4.27.0″ _module_preset=”default” body_font_size=”31px” body_line_height=”1.2em” author_font_size=”24px” author_line_height=”1.2em” custom_padding=”|0px||4px||” border_width_all=”0px” global_colors_info=”{}”]<\/p>\n

\u2018It is very important that we indigenous people take photographs of our own cultures so that other indigenous people in Mexico and other countries know us. In this way we can preserve and show our traditional cultures and share them so that future generations can learn and remember’.<\/em><\/p>\n

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K\u2019in ta Chamula<\/strong>
Celebration in Chamula
\u00a9 Genaro S\u00e1ntiz G\u00f3mez, 1997<\/strong><\/h5>\n

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Ch\u2019abal sbi<\/strong>
Untitled
\u00a9 Juana L\u00f3pez L\u00f3pez, 2000<\/strong><\/h5>\n

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PROJECTS | ENGLISH |\u00a0 ESPA\u00d1OL\u00a0 |\u00a0 FRAN\u00c7AISChiapas Photography ProjectCountry: Mexico Participants: Indigenous communities, Chiapas WebsiteJpimil kotonMy sweater\u00a9 Xunka\u2019 L\u00f3pez D\u00edaz, 2000Formed in 1992, the Chiapas Photography Project (CPP) is an indigenous photography program based in Chiapas, Mexico, that runs photography workshops with indigenous communities and an archive of indigenous photography. The southern state of Chiapas, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-86","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/pages\/86","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/comments?post=86"}],"version-history":[{"count":23,"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/pages\/86\/revisions"}],"predecessor-version":[{"id":1992,"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/pages\/86\/revisions\/1992"}],"wp:attachment":[{"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/media?parent=86"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}