{"id":1335,"date":"2024-12-17T12:21:26","date_gmt":"2024-12-17T12:21:26","guid":{"rendered":"https:\/\/imagingpeace.org\/?page_id=1335"},"modified":"2025-01-18T12:10:08","modified_gmt":"2025-01-18T12:10:08","slug":"witness-objects-fr","status":"publish","type":"page","link":"https:\/\/imagingpeace.org\/index.php\/witness-objects-fr\/","title":{"rendered":"Witness Objects FR"},"content":{"rendered":"

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PROJECTS<\/a> | ENGLISH<\/a>\u00a0 |\u00a0 ESPA\u00d1OL<\/a>\u00a0 |\u00a0 FRAN\u00c7AIS<\/a><\/p>\n

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Witness Objects (FR)<\/strong><\/h1>\n

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Pays: Bosnie-Herz\u00e9govine<\/strong><\/h3>\n

Participants: Luke Watson et \u00e9tudiants bosniaques<\/strong><\/h3>\n

Site internet<\/a><\/h3>\n

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Casque cam\u00e9ra<\/strong><\/h5>\n
Casque militaire modifi\u00e9 en cam\u00e9ra st\u00e9nop\u00e9ique. Ouverture st\u00e9nopique adapt\u00e9e du trou de balle.<\/h5>\n
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Luke Watson \/ Witness Objects<\/span>, Bosnie-Herz\u00e9govine
<\/strong><\/h5>\n

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\u00a0\u00ab Sarajevo Under Siege \u00bb<\/em> est l\u2019une des expositions permanentes du Mus\u00e9e d’Histoire de la Bosnie-Herz\u00e9govine, qui raconte l’histoire de la pers\u00e9v\u00e9rance, de l’ing\u00e9niosit\u00e9 et de la cr\u00e9ativit\u00e9 des habitants de Sarajevo pendant qu’ils survivaient sans \u00e9lectricit\u00e9, eau ni chauffage, durant le plus long si\u00e8ge d’une capitale dans l\u2019histoire de la guerre moderne. L’exposition pr\u00e9sente des r\u00e9cits de la vie quotidienne pendant les 1335 jours du si\u00e8ge \u00e0 travers des objets faits main, des documents et des photographies donn\u00e9s par les citoyens au mus\u00e9e. Les objets incluent des lampes improvis\u00e9es, des chariots \u00e0 eau et des po\u00eales fabriqu\u00e9es \u00e0 partir de bidons d’huile. Le Mus\u00e9e d’Histoire collabore avec des artistes nationaux et internationaux, leur offrant un acc\u00e8s \u00e0 ses archives pour favoriser le dialogue cr\u00e9atif et l’engagement avec les diverses histoires de la Bosnie. Luke Watson<\/a>, un photographe britannique collaborant avec le mus\u00e9e dans le cadre d’un projet de recherche du Conseil de la recherche en arts et sciences humaines du Royaume-Uni intitul\u00e9 Art et R\u00e9conciliation<\/em>, a sugg\u00e9r\u00e9 de fabriquer des cam\u00e9ras st\u00e9nop\u00e9iques \u00e0 partir de certains objets de la collection du si\u00e8ge. La conservatrice adjointe de la photographie du mus\u00e9e, Tijana Krizanovic, a accept\u00e9.<\/p>\n

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All\u00e9e des tireurs d’\u00e9lite<\/strong><\/h5>\n
<\/strong>Image r\u00e9alis\u00e9e avec une cam\u00e9ra de casque montrant un b\u00e2timent de grande hauteur du c\u00e9l\u00e8bre \u00ab Sniper Alley \u00bb.<\/h5>\n
\u00a9 Luke Watson \/ Witness Objects, Bosnie-Herz<\/strong>\u00e9govine<\/strong><\/h5>\n

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En d\u00e9cembre 2018, Watson a dirig\u00e9 une s\u00e9rie d\u2019ateliers de photographie st\u00e9nop\u00e9ique avec des \u00e9tudiants de l’\u00c9cole Technique de Design Graphique et de Technologie Multim\u00e9dia de Sarajevo. Watson adh\u00e8re \u00e0 une forme de photographie lente qui reconna\u00eet que des processus authentiques et significatifs doivent se d\u00e9velopper sur une longue p\u00e9riode. L\u2019utilisation d\u2019objets du mus\u00e9e comme cam\u00e9ras st\u00e9nopiques permet aux jeunes, qui n\u2019\u00e9taient pas n\u00e9s au moment du si\u00e8ge, de s\u2019engager indirectement mais activement avec une partie complexe et difficile de leur histoire.<\/p>\n

En collaboration avec Krizanovic, ils ont fabriqu\u00e9 des cam\u00e9ras st\u00e9nopiques de base avec les \u00e9tudiants, les testant dans les terrains du mus\u00e9e avant de construire des cam\u00e9ras \u00e0 partir des objets du mus\u00e9e. Le processus impliquait non seulement la construction soign\u00e9e des cam\u00e9ras st\u00e9nopiques, mais aussi de longues conversations sur ce qu’il convenait de photographier.<\/p>\n

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<\/strong><\/h5>\n
Bidon d’huile \u2013 Arrosoir \u2013 Cam\u00e9ra espion<\/strong>
R\u00e9utilisation d’objets mettant en valeur le design innovant dans un contexte de conflit. L’image documente l’histoire de multiples fonctions \/ objectifs.<\/h5>\n
\u00a9 Luke Watson \/ Witness Objects, Bosnie-Herz<\/strong>\u00e9<\/strong>govine<\/strong><\/h5>\n

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Ambassade des \u00c9tats-Unis, Sarajevo<\/strong>
Image r\u00e9alis\u00e9e dans une zone restreinte aux photographies avec la cam\u00e9ra Bidon d’huile\u2026 mettant en \u00e9vidence la pr\u00e9sence et l’influence des superpuissances mondiales dans les guerres par procuration.<\/h5>\n
\u00a9 Luke Watson \/ Witness Objects, Bosnie-<\/strong>Herz<\/strong>\u00e9<\/strong>govine<\/strong><\/h5>\n

 <\/p>\n

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\u2018Dans ce projet, la photographie st\u00e9nopique est une forme de photographie lente non agressive qui sert de forme de protestation silencieuse. L’exposition prolong\u00e9e d’un trou d’\u00e9pingle est l’antith\u00e8se de la photographie nette et rapide du photojournalisme\u2019.<\/em><\/p>\n

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Le Mus\u00e9e d’Histoire est situ\u00e9 dans ce qui \u00e9tait, durant la guerre, connu sous le nom de \u00ab rue des tireurs d\u2019\u00e9lite \u00bb. Entour\u00e9 de positions de tireurs d\u2019\u00e9lite serbes, c’\u00e9tait un endroit notoirement dangereux pour les civils. Le groupe a d\u00e9cid\u00e9 de se concentrer sur les b\u00e2timents de grande hauteur, visibles au sud du mus\u00e9e, c\u00e9l\u00e8bres pour \u00eatre des positions de tireurs d\u2019\u00e9lite. Il y avait une puissance symbolique dans l’id\u00e9e de “riposter” de mani\u00e8re non agressive et d\u00e9fiant en utilisant une cam\u00e9ra fabriqu\u00e9e \u00e0 partir d\u2019un po\u00eale ayant \u00e9t\u00e9 t\u00e9moin du si\u00e8ge. Une exposition des cam\u00e9ras et des photographies a \u00e9t\u00e9 organis\u00e9e au mus\u00e9e, et ils ont l’intention d’utiliser le mod\u00e8le de l’atelier st\u00e9nop\u00e9ique comme un moyen d\u2019impliquer davantage de jeunes bosniaques dans l\u2019histoire du si\u00e8ge.<\/p>\n

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PROJECTS | ENGLISH\u00a0 |\u00a0 ESPA\u00d1OL\u00a0 |\u00a0 FRAN\u00c7AISWitness Objects (FR)Pays: Bosnie-Herz\u00e9govine Participants: Luke Watson et \u00e9tudiants bosniaques Site internetCasque cam\u00e9ra Casque militaire modifi\u00e9 en cam\u00e9ra st\u00e9nop\u00e9ique. Ouverture st\u00e9nopique adapt\u00e9e du trou de balle. .Luke Watson \/ Witness Objects, Bosnie-Herz\u00e9govine\u00a0\u00ab Sarajevo Under Siege \u00bb est l\u2019une des expositions permanentes du Mus\u00e9e d’Histoire de la Bosnie-Herz\u00e9govine, qui raconte […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1335","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/pages\/1335","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/comments?post=1335"}],"version-history":[{"count":6,"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/pages\/1335\/revisions"}],"predecessor-version":[{"id":1814,"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/pages\/1335\/revisions\/1814"}],"wp:attachment":[{"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/media?parent=1335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}