{"id":1331,"date":"2024-12-17T12:20:17","date_gmt":"2024-12-17T12:20:17","guid":{"rendered":"https:\/\/imagingpeace.org\/?page_id=1331"},"modified":"2025-01-18T14:13:35","modified_gmt":"2025-01-18T14:13:35","slug":"tafos-fr","status":"publish","type":"page","link":"https:\/\/imagingpeace.org\/index.php\/tafos-fr\/","title":{"rendered":"TAFOS FR"},"content":{"rendered":"

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PROJECTS<\/a> | ENGLISH<\/a>\u00a0 |\u00a0 ESPA\u00d1OL<\/a>\u00a0 |\u00a0 FRAN\u00c7AIS<\/a><\/p>\n

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TAFOS (FR)<\/strong><\/h1>\n

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Pays: P\u00e9rou<\/strong><\/h3>\n

Participants: <\/strong>Photographes communautaires<\/strong><\/h3>\n

Site internet<\/a><\/h3>\n

<\/strong><\/p>\n

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Des hommes pr\u00e9parent des cordes pour obtenir une \u00e9paisseur uniforme afin de construire le pont Q\u2019eswachaka.
\u00a9 Nieves Callasi, atelier Yanaoca \/ TAFOS<\/strong><\/h5>\n

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Talleres de Fotograf\u00eda Social (TAFOS<\/em><\/a>)<\/em> \u00e9tait un projet pionnier de photographie communautaire qui s\u2019est d\u00e9roul\u00e9 entre 1986 et 1998. Ses ann\u00e9es d\u2019activit\u00e9 les plus intenses ont co\u00efncid\u00e9 avec le conflit interne au P\u00e9rou. Travaillant en collaboration avec des syndicats, des groupes de jeunes, des coop\u00e9ratives agricoles et de nombreuses autres organisations communautaires, TAFOS a organis\u00e9 des ateliers pour plus de 270 photographes communautaires issus de 30 communaut\u00e9s \u00e0 travers tout le pays. Ces photographes ont utilis\u00e9 la photographie comme un outil pour soutenir la r\u00e9sistance non violente et l\u2019organisation communautaire en plein conflit.<\/p>\n

Durant les ann\u00e9es de conflit p\u00e9ruvien, le groupe gu\u00e9rillero mao\u00efste Sendero Luminoso et son rival, le mouvement marxiste-l\u00e9niniste Movimiento Revolucionario T\u00fapac Amaru (MRTA), ont men\u00e9 une insurrection r\u00e9volutionnaire violente contre l\u2019\u00c9tat p\u00e9ruvien. En m\u00eame temps, le pays souffrait d\u2019un effondrement \u00e9conomique grave qui a plong\u00e9 de nombreuses personnes dans la pauvret\u00e9. Les deux camps utilisaient des tactiques terroristes brutales, et la majeure partie des combats se d\u00e9roulait dans les r\u00e9gions andines, touchant de mani\u00e8re disproportionn\u00e9e les communaut\u00e9s indig\u00e8nes rurales. Ces communaut\u00e9s ont subi de graves abus, assassinats et disparitions. Face \u00e0 cette violence croissante, de nombreux civils se sont organis\u00e9s pour se prot\u00e9ger, cr\u00e9ant des r\u00e9seaux de soutien pour contrer les violences, l\u2019ins\u00e9curit\u00e9 et les privations \u00e9conomiques. C\u2019est dans ce contexte que TAFOS a vu le jour<\/p>\n

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Des hommes et des femmes jouant.
\u00a9 Sebastian Turpo, atelier Ayaviri\u00a0 \/ TAFOS<\/strong><\/h5>\n

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Le premier atelier TAFOS<\/em> a \u00e9t\u00e9 organis\u00e9 \u00e0 la suite d\u2019une demande d\u2019un leader local, Gregorio Condori, qui avait demand\u00e9 \u00e0 un photographe allemand et \u00e0 son \u00e9pouse, Thomas et Helga M\u00fcller, travaillant dans sa communaut\u00e9 \u00e0 Ocongate pr\u00e8s de Cusco, de lui pr\u00eater un appareil photo pour documenter des preuves contre un juge exigeant un pot-de-vin. Par la suite, Condori et M\u00fcller ont propos\u00e9 au comit\u00e9 des droits de l\u2019homme d\u2019Ocongate d\u2019organiser des ateliers pour former plus de membres en tant que photographes communautaires. Cela a conduit \u00e0 de nombreux autres ateliers \u00e0 mesure que d\u2019autres groupes communautaires se rapprochaient de TAFOS avec le d\u00e9sir d\u2019apprendre la photographie : des collectifs paysans dans les r\u00e9gions andines comme Ayacucho, des syndicats de mineurs \u00e0 Jun\u00edn, des groupes de jeunes et de femmes, des \u00e9tudiants, des organisations communautaires dans les bidonvilles des grandes villes p\u00e9ruviennes et des communaut\u00e9s afro-p\u00e9ruviennes sur la c\u00f4te.<\/p>\n

Les photographes TAFOS<\/em> \u00e9taient des membres actifs d\u2019organisations de base d\u00e9sireux d\u2019apprendre \u00e0 utiliser la photographie comme un outil de communication. Ils ont document\u00e9 les conditions de travail, l\u2019agitation politique, la mobilisation de base et la vie communautaire quotidienne pendant une p\u00e9riode turbulente de l\u2019histoire p\u00e9ruvienne. Ils ont utilis\u00e9 la photographie pour renforcer la r\u00e9silience et la r\u00e9sistance communautaires face \u00e0 la violence et au conflit. TAFOS<\/em> a fourni une formation photographique de base, des \u00e9quipements, des pellicules, ainsi que des services de d\u00e9veloppement et d\u2019impression aux groupes communautaires qui menaient et coordonnaient leurs activit\u00e9s photographiques. Les ateliers ont commenc\u00e9 \u00e0 diminuer \u00e0 partir de 1993, alors que le paysage politique changeait et r\u00e9duisait la demande. Aujourd\u2019hui, une archive de plus de 150 000 images TAFOS<\/em> est conserv\u00e9e \u00e0 l\u2019universit\u00e9 catholique pontificale du P\u00e9rou \u00e0 Lima, o\u00f9 elle continue d\u2019\u00eatre utilis\u00e9e par des chercheurs et des \u00e9tudiants.<\/p>\n

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\"\"<\/p>\n

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Un mienur proteste aves des photos.
\u00a9 Felix Asto, atelier Morococho\u00a0 \/ TAFOS<\/strong><\/h5>\n

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\u00a9\u00a0 Photographe inconnu \/ TAFOS<\/strong><\/h5>\n

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‘Une des mani\u00e8res de cr\u00e9er un nouvel ordre social dans un pays fragment\u00e9 est que les gens reconstruisent leur image, leur visage, leurs mots\u2026 C\u2019est de ce drame et de ce besoin de r\u00e9cup\u00e9rer leur propre image qu\u2019est n\u00e9 le projet TAFOS\u2026 Cette photographie de contexte n\u2019est pas une fin, mais un moyen : un moyen d\u2019identification locale, sectorielle et nationale, un moyen de d\u00e9nonciation d\u2019une part, et une arme de confrontation id\u00e9ologique et de r\u00e9cup\u00e9ration du droit \u00e0 l\u2019identit\u00e9 et \u00e0 la diff\u00e9rence d\u2019autre part’.<\/em><\/p>\n

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Bia (ma chienne labrador) au bord de la mer, Playa Pulpos.<\/o:p><\/span><\/h5>\n
\u00a9 Luis Garcia, atelier des Musiciens\u00a0 \/ TAFOS<\/strong><\/h5>\n

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Regardant un journal TAFOS
\u00a9 Nicacio Chiara, atelier Yanaoca \/ TAFOS<\/strong><\/h5>\n

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aatelier Les photographies prises par les membres de TAFOS circulaient activement dans les communaut\u00e9s qui les produisaient, remplissant divers r\u00f4les sociaux. Sur cette image, on voit un membre de la communaut\u00e9 pr\u00e9parant un panneau pour exposer des photographies.<\/h5>\n
.
\u00a9 Serapio Verduzco, atelier Ocongate \/ TAFOS<\/strong><\/h5>\n

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PROJECTS | ENGLISH\u00a0 |\u00a0 ESPA\u00d1OL\u00a0 |\u00a0 FRAN\u00c7AISTAFOS (FR)Pays: P\u00e9rou Participants: Photographes communautaires Site internet Des hommes pr\u00e9parent des cordes pour obtenir une \u00e9paisseur uniforme afin de construire le pont Q\u2019eswachaka.\u00a9 Nieves Callasi, atelier Yanaoca \/ TAFOSTalleres de Fotograf\u00eda Social (TAFOS) \u00e9tait un projet pionnier de photographie communautaire qui s\u2019est d\u00e9roul\u00e9 entre 1986 et 1998. Ses […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1331","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/pages\/1331","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/comments?post=1331"}],"version-history":[{"count":4,"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/pages\/1331\/revisions"}],"predecessor-version":[{"id":1877,"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/pages\/1331\/revisions\/1877"}],"wp:attachment":[{"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/media?parent=1331"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}