{"id":1311,"date":"2024-12-17T12:15:28","date_gmt":"2024-12-17T12:15:28","guid":{"rendered":"https:\/\/imagingpeace.org\/?page_id=1311"},"modified":"2025-01-17T21:34:52","modified_gmt":"2025-01-17T21:34:52","slug":"odyssey-fr","status":"publish","type":"page","link":"https:\/\/imagingpeace.org\/index.php\/odyssey-fr\/","title":{"rendered":"Odyssey FR"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.27.0″ _module_preset=”default” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” custom_padding=”18px||0px|||” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

PROJECTS<\/a> | ENGLISH<\/a>\u00a0 |\u00a0 ESPA\u00d1OL<\/a>\u00a0 |\u00a0 FRAN\u00c7AIS<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Title” _builder_version=”4.27.0″ _module_preset=”default” header_font_size=”54px” custom_margin=”||8px||false|false” global_colors_info=”{}”]<\/p>\n

Odyssey (FR)<\/strong><\/h1>\n

[\/et_pb_text][et_pb_text admin_label=”Title” _builder_version=”4.27.4″ _module_preset=”default” header_3_font_size=”24px” header_3_line_height=”0.8em” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

Pays: \u00c9tats-Unis<\/strong><\/h3>\n

Participants: Anciens combattants<\/strong><\/h3>\n

Site internet<\/a><\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” width=”100%” max_width=”1700px” custom_padding=”2px||1px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_slider _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”||18px|||” custom_padding=”||579px|||” global_colors_info=”{}”][et_pb_slide _builder_version=”4.27.0″ _module_preset=”default” background_color=”#969696″ background_enable_color=”on” background_image=”https:\/\/imagingpeace.org\/wp-content\/uploads\/2024\/08\/War-Illiad-2B-Jacob-Welstead-0621.jpg” background_enable_image=”on” width=”100%” width_tablet=”100%” width_phone=”0%” width_last_edited=”on|phone” max_width_tablet=”” max_width_phone=”100%” max_width_last_edited=”on|phone” global_colors_info=”{}” sticky_transition=”on”][\/et_pb_slide][\/et_pb_slider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”-3px|auto||auto||” custom_padding=”1px||5px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_font=”Actor|–et_global_body_font_weight|||||||” text_line_height=”1.8em” header_5_font=”Antic Slab|–et_global_heading_font_weight|||||||” header_5_font_size=”15px” custom_margin=”2px||||false|false” custom_padding=”2px|0px||58px||” global_colors_info=”{}”]<\/p>\n

Autoportrait<\/strong>
J\u2019essayais d\u2019\u00e9muler le d\u00e9sespoir d\u2019une situation. J\u2019essayais de rester calme, simplement assis sous l\u2019eau. Une acceptation.
\u00a9 Jacob Welstead \/ Odyssey<\/strong><\/h5>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”24px||6px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_font=”–et_global_body_font|300|||||||” text_font_size=”22px” text_line_height=”1.2em” width=”100%” custom_padding=”|0px||||” global_colors_info=”{}”]<\/p>\n

Contrairement \u00e0 la pr\u00e9paration re\u00e7ue par les soldats pour aller \u00e0 la guerre, aucune pr\u00e9paration n\u2019est offerte aux soldats qui rentrent chez eux et doivent s\u2019adapter \u00e0 la vie civile et \u00e0 la paix. Coup\u00e9s de leurs unit\u00e9s, de leurs amiti\u00e9s profond\u00e9ment enracin\u00e9es, des structures et des routines de la vie militaire, les soldats qui rentrent affrontent des d\u00e9fis tels que la culpabilit\u00e9 du survivant, le stress post-traumatique et les troubles de sant\u00e9 mentale, ainsi que l\u2019isolement social.<\/p>\n

Les ateliers Odyssey<\/em><\/a> cherchent \u00e0 utiliser la photographie pour cr\u00e9er de nouvelles connexions entre les anciens combattants, trouver un objectif commun, donner du sens et d\u00e9couvrir la beaut\u00e9. En utilisant la photographie comme outil pour aider les v\u00e9t\u00e9rans \u00e0 se r\u00e9int\u00e9grer \u00e0 la vie civile, le projet fournit un r\u00e9seau de soutien entre pairs ainsi qu\u2019un mentorat par des artistes\/\u00e9ducateurs. Ce programme de trois mois, comprenant des ateliers hebdomadaires de photographie, commenc\u00e9 en 2018, a \u00e9t\u00e9 r\u00e9alis\u00e9 quatre fois en collaboration avec le Josephine Herrick Project<\/a> et le centre des v\u00e9t\u00e9rans du Queens, ainsi qu\u2019avec la galerie CEPA et le centre des v\u00e9t\u00e9rans de Buffalo. Les ateliers sont dirig\u00e9s par le photographe Brendan Bannon, avec le soutien d\u2019autres professeurs comme Rob Healy, v\u00e9t\u00e9ran de l\u2019arm\u00e9e de l\u2019air, Jojo Chen, v\u00e9t\u00e9ran de la marine, et Juli\u00e1n Chinana, photographe et ancien tireur d\u2019\u00e9lite des Marines.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/imagingpeace.org\/wp-content\/uploads\/2024\/08\/15Erica-Duncan-Exhibit-Large-file-0231-1024×683.jpg” title_text=”15Erica-Duncan–Exhibit-Large-file–0231″ align=”center” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_font=”Actor|–et_global_body_font_weight|||||||” text_line_height=”1.8em” header_5_font=”Antic Slab|–et_global_heading_font_weight|||||||” header_5_font_size=”15px” custom_margin=”2px||||false|false” custom_padding=”2px|58px||259px||false” custom_padding_tablet=”2px|58px||259px||false” custom_padding_phone=”|||31px|false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

Autoportrait<\/strong>
Je voulais montrer la lutte quotidienne de vivre avec un trouble de stress post-traumatique. Je voulais cr\u00e9er une image montrant comment je me noie dans la vie quotidienne.
\u00a9 Erica Duncan \/ Odyssey<\/strong><\/h5>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_font=”–et_global_body_font|300|||||||” text_font_size=”22px” text_line_height=”1.2em” global_colors_info=”{}”]<\/p>\n

Les ateliers de photographie de 12 semaines d\u00e9butent par une retraite de deux jours pour renforcer les liens et offrir une immersion profonde dans ce que peut \u00eatre la photographie. Dans les semaines suivantes, les participants explorent l\u2019impact de la guerre sur leurs vies \u00e0 travers la photographie. Ils se photographient les uns les autres, ainsi que leurs proches et des lieux significatifs, cr\u00e9ant des r\u00e9cits visuels qui \u00e9clairent le pass\u00e9 tout en regardant vers l\u2019avenir. De nombreux participants parlent de la sensation de gu\u00e9rison et de catharsis qui \u00e9merge en travaillant avec la photographie, tout en traitant leurs exp\u00e9riences, en exprimant leurs histoires et leurs luttes personnelles, et en \u00e9prouvant la validation de se sentir vus et reconnus.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”4px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/imagingpeace.org\/wp-content\/uploads\/2024\/08\/Beginnings-love-2A-Erica-Duncan-0219-1024×683.jpg” title_text=”Beginnings-love-2A-Erica-Duncan–0219″ align=”center” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_font=”Actor|–et_global_body_font_weight|||||||” text_line_height=”1.8em” header_5_font=”Antic Slab|–et_global_heading_font_weight|||||||” header_5_font_size=”15px” custom_margin=”2px||||false|false” custom_padding=”2px|58px||259px||false” custom_padding_tablet=”2px|58px||259px||false” custom_padding_phone=”|||31px|false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

\u00a9 Erica Duncan \/ Odyssey<\/strong><\/h5>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”13px||7px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_font=”–et_global_body_font|300|||||||” text_font_size=”22px” text_line_height=”1.2em” custom_padding=”||11px|||” global_colors_info=”{}”]<\/p>\n

\u00c0 travers les ateliers, les v\u00e9t\u00e9rans cr\u00e9ent des liens entre eux et ressentent un sentiment d\u2019appartenance tout en s\u2019engageant et en explorant cr\u00e9ativement. Le groupe travaille avec des techniques comme la cyanotypie et r\u00e9alise un \u00ab projet de r\u00eaves \u00bb, en plus de portraits en double exposition. Ces derniers ont \u00e9t\u00e9 introduits apr\u00e8s qu\u2019un participant ait cr\u00e9\u00e9 un autoportrait fusionnant des images avec un logiciel d\u2019\u00e9dition photographique. Ce portrait a touch\u00e9 une corde sensible chez les autres, car la technique permettait de juxtaposer des images pour capturer des id\u00e9es, des identit\u00e9s et des \u00e9motions complexes en une seule photographie.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”4px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_font=”–et_global_body_font|300|||||||” text_font_size=”22px” text_line_height=”1.2em” custom_padding=”||11px|||” global_colors_info=”{}”]<\/p>\n

Jusqu\u2019\u00e0 pr\u00e9sent, 95 v\u00e9t\u00e9rans ont particip\u00e9 aux ateliers Odyssey, et leurs travaux ont \u00e9t\u00e9 pr\u00e9sent\u00e9s dans de nombreuses expositions. L\u2019initiative a \u00e9t\u00e9 couverte par la National Public Radio et le New York Times<\/a> et publi\u00e9e dans un livre de 180 pages. Odyssey | Warriors Come Home: Combat Veterans Photograph Life After War.<\/a><\/em> CEPA Gallery, (2020). Plusieurs participants ont cr\u00e9\u00e9 des entreprises de photographie, particip\u00e9 \u00e0 des initiatives de sensibilisation par la photographie et remport\u00e9 des prix artistiques.<\/p>\n

[\/et_pb_text][et_pb_image src=”https:\/\/imagingpeace.org\/wp-content\/uploads\/2024\/08\/Beginnings-love-2A-Rob-Healy-0153-1024×683.jpg” title_text=”Beginnings-love-2A-Rob-Healy–0153″ align=”center” _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”37px|||||” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_font=”Actor|–et_global_body_font_weight|||||||” text_line_height=”1.8em” header_5_font=”Antic Slab|–et_global_heading_font_weight|||||||” header_5_font_size=”15px” custom_margin=”2px||||false|false” custom_padding=”2px|58px||259px||false” custom_padding_tablet=”2px|58px||259px||false” custom_padding_phone=”|||31px|false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

L’heure des contes<\/strong><\/h5>\n
J\u2019ai capt\u00e9 ce moment sinc\u00e8re avec ma m\u00e8re lisant \u00e0 mon fils apr\u00e8s une longue journ\u00e9e d\u2019aventures et de jeux.
\u00a9 Rob Healy (@dangerclosearts) \/ Odyssey<\/strong><\/h5>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.27.0″ _module_preset=”default” background_color=”#EBEFE6″ custom_margin=”46px|auto|61px|auto||” custom_padding=”91px|||||” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_testimonial author=”Brendan Bannon, facilitateur d’Odyssey\u00a0” font_icon=”||fa||900″ use_icon_font_size=”on” _builder_version=”4.27.0″ _module_preset=”default” body_font_size=”31px” body_line_height=”1.2em” author_font_size=”24px” author_line_height=”1.2em” custom_padding=”|0px||4px||” border_width_all=”0px” global_colors_info=”{}”]<\/p>\n

\u2018Les gens pensent que la photographie est une pratique solitaire, mais la qu\u00eate de sens \u00e0 travers la photographie, telle qu\u2019ils la pratiquaient, \u00e9tait intime et enracin\u00e9e dans une communaut\u00e9 de pairs. En utilisant une cam\u00e9ra pour interagir entre eux et avec le monde qui les entoure, les v\u00e9t\u00e9rans ont partag\u00e9 les batailles qui continuent bien apr\u00e8s la fin de la guerre. Ils ont \u00e9galement r\u00e9fl\u00e9chi \u00e0 leurs victoires et aux circonstances’.<\/em><\/p>\n

[\/et_pb_testimonial][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” width=”94%” max_width=”1476px” custom_padding=”5px||18px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/imagingpeace.org\/wp-content\/uploads\/2024\/08\/Memorial-day-Maja-Kraft-LARGE-Final-2-1024×597.jpg” title_text=”Memorial-day-Maja-Kraft-LARGE-Final-2″ align=”center” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”0px||5px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_font=”Actor|–et_global_body_font_weight|||||||” text_line_height=”1.8em” header_5_font=”Antic Slab|–et_global_heading_font_weight|||||||” header_5_font_size=”15px” custom_margin=”2px||||false|false” custom_padding=”|28px||58px||” global_colors_info=”{}”]<\/p>\n

‘La Journ\u00e9e du Souvenir’<\/strong>
\u00a9 Maja Kraft \/ Odyssey<\/strong><\/h5>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” width=”94%” max_width=”1476px” custom_padding=”5px||18px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/imagingpeace.org\/wp-content\/uploads\/2024\/08\/Odyssey-Part-2-Home-Sam-Sacco-9895-1024×683.jpg” title_text=”Odyssey-Part-2-Home-Sam-Sacco–9895″ align=”center” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”0px||5px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”Actor|–et_global_body_font_weight|||||||” text_line_height=”1.8em” header_5_font=”Antic Slab|–et_global_heading_font_weight|||||||” header_5_font_size=”15px” custom_margin=”2px||||false|false” custom_padding=”|28px||58px||” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

‘Maison’
\u00a9 Sam Sacco \/ Odyssey<\/strong><\/strong><\/h5>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.4″ _module_preset=”default”][et_pb_column _builder_version=”4.27.4″ _module_preset=”default” type=”4_4″][et_pb_menu menu_id=”10″ menu_style=”centered” active_link_color=”#E09900″ _builder_version=”4.27.0″ _module_preset=”default” menu_font=”|||on|||||” menu_text_color=”#000000″ global_colors_info=”{}” menu_font_size__hover_enabled=”off|desktop” theme_builder_area=”post_content”][\/et_pb_menu][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

PROJECTS | ENGLISH\u00a0 |\u00a0 ESPA\u00d1OL\u00a0 |\u00a0 FRAN\u00c7AISOdyssey (FR)Pays: \u00c9tats-Unis Participants: Anciens combattants Site internetAutoportraitJ\u2019essayais d\u2019\u00e9muler le d\u00e9sespoir d\u2019une situation. J\u2019essayais de rester calme, simplement assis sous l\u2019eau. Une acceptation.\u00a9 Jacob Welstead \/ OdysseyContrairement \u00e0 la pr\u00e9paration re\u00e7ue par les soldats pour aller \u00e0 la guerre, aucune pr\u00e9paration n\u2019est offerte aux soldats qui rentrent chez eux […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1311","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/pages\/1311","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/comments?post=1311"}],"version-history":[{"count":3,"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/pages\/1311\/revisions"}],"predecessor-version":[{"id":1800,"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/pages\/1311\/revisions\/1800"}],"wp:attachment":[{"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/media?parent=1311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}