{"id":1289,"date":"2024-12-17T12:09:32","date_gmt":"2024-12-17T12:09:32","guid":{"rendered":"https:\/\/imagingpeace.org\/?page_id=1289"},"modified":"2025-01-16T23:34:13","modified_gmt":"2025-01-16T23:34:13","slug":"chiapas-photography-project-fr","status":"publish","type":"page","link":"https:\/\/imagingpeace.org\/index.php\/chiapas-photography-project-fr\/","title":{"rendered":"Chiapas Photography Project FR"},"content":{"rendered":"

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Chiapas Photography Project (FR)<\/strong><\/h1>\n

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<\/h3>\n

Pays: Mexique<\/strong><\/h3>\n

Participants: <\/strong>Communaut\u00e9s indig\u00e8nes, Chiapas<\/strong><\/h3>\n

Site internet<\/a><\/h3>\n

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Jpimil koton<\/strong>
Myon pull-over
\u00a9 Xunka\u2019 L\u00f3pez D\u00edaz, 2000<\/strong><\/h5>\n

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Form\u00e9 en 1992, Chiapas Photography <\/em>Project (CPP) <\/strong><\/a>est un programme de photographie indig\u00e8ne bas\u00e9 au Chiapas, au Mexique. Il propose des ateliers de photographie aux communaut\u00e9s indig\u00e8nes et abrite une archive de photographies indig\u00e8nes.<\/p>\n

L’\u00c9tat du Chiapas, situ\u00e9 au sud du Mexique, abrite une population o\u00f9 pr\u00e8s d\u2019un tiers des habitants sont indig\u00e8nes et o\u00f9 l’on parle environ 56 langues autochtones diff\u00e9rentes. Cet \u00c9tat est marqu\u00e9 par des formes de conflit et de violence persistantes et interconnect\u00e9es. Le soul\u00e8vement arm\u00e9 indig\u00e8ne zapatiste de 1994 contre les forces gouvernementales et la crise qui a suivi ont r\u00e9sult\u00e9 des abus des droits humains envers les populations indig\u00e8nes, de la privation mat\u00e9rielle extr\u00eame, du racisme institutionnel et des r\u00e9visions des lois sur les terres communales. Les ann\u00e9es qui ont suivi ont \u00e9t\u00e9 marqu\u00e9es par des tensions, des violences sporadiques et un processus de paix stagnant, cr\u00e9ant des divisions au sein des communaut\u00e9s indig\u00e8nes. Les strat\u00e9gies contre-insurrectionnelles du gouvernement ont entra\u00een\u00e9 des disparitions, des d\u00e9placements forc\u00e9s et des divisions internes. Si le conflit a diminu\u00e9 \u00e0 la fin des ann\u00e9es 2010, la violence persiste, aliment\u00e9e par les groupes paramilitaires, les conflits fonciers, les d\u00e9placements forc\u00e9s et la mont\u00e9e des cartels de drogue, augmentant les violences g\u00e9n\u00e9ralis\u00e9es, les disparitions et les fusillades.<\/p>\n

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Tajimal K\u2019in ta Tenejapa \/ Carnaval \u00e0 Tenejapa, une communaut\u00e9 tseltale au Chiapas
\u00a9 Petul Hern\u00e1ndez Guzm\u00e1n, 2006<\/strong><\/h5>\n

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X Chumty\u00e4l. Lives Through Time: Portrait d’une famille Chol\u00a0
\u00a9 Refugia Guzm\u00e1n P\u00e9rez<\/strong><\/h5>\n

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Bats\u2019i K\u2019op ta tsotsil yu\u2019un Chamo\/Nuestra lengua tsotsil de Chamula \/ Notre langue Tsotsil de\u00a0Chamula,
\u00a9 Juana L\u00f3pez L\u00f3pez, 2012<\/strong><\/h5>\n

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Depuis plus de 30 ans, le CPP s\u2019engage \u00e0 offrir des opportunit\u00e9s d’expression artistique et culturelle aux peuples mayas indig\u00e8nes par le biais de la photographie. Fond\u00e9 par S\u0153ur Carlota Duarte,<\/strong> le programme est dirig\u00e9 et g\u00e9r\u00e9 par un personnel indig\u00e8ne bas\u00e9 \u00e0 San Crist\u00f3bal de Las Casas.<\/p>\n

Depuis sa cr\u00e9ation, le CPP<\/em> a form\u00e9 plus de 500 photographes indig\u00e8nes issus de divers horizons ethniques et linguistiques, utilisant des techniques analogiques et num\u00e9riques. Ces ateliers rassemblent diff\u00e9rentes communaut\u00e9s et groupes, permettant \u00e0 des artistes indig\u00e8nes individuels de d\u00e9velopper des projets sp\u00e9ciaux qui c\u00e9l\u00e8brent et documentent leur patrimoine culturel et leur m\u00e9moire historique. De nombreux projets ont \u00e9t\u00e9 publi\u00e9s sous forme de livres ou d\u2019expositions. Par ailleurs, le CPP<\/em> a cr\u00e9\u00e9 l\u2019Archivo Fotogr\u00e1fico Ind\u00edgena<\/em>, une collection contenant plus de 85 000 n\u00e9gatifs pris par des photographes form\u00e9s par le CPP<\/em>. Les travaux des photographes du CPP<\/em> ont \u00e9t\u00e9 publi\u00e9s et expos\u00e9s dans leurs communaut\u00e9s ainsi qu\u2019\u00e0 l\u2019international. L’archive est conserv\u00e9e \u00e0 la biblioth\u00e8que de l\u2019universit\u00e9 de Stanford, o\u00f9 elle est accessible aux chercheurs et enrichie chaque ann\u00e9e.<\/p>\n

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Visions: Gertrude Duby Blom et des photographes mayas de Chiapas 1950-2000
\u00a9 Gertrude Duby Blom et <\/strong>Photographes <\/strong>Mayan\u00a0 de Chiapas, 2000<\/strong><\/h5>\n

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Bats\u2019il k\u2019op tseltal ta Tenejapa \/ La lengua tseltal de Tenejapa \/ La langue tseltal de Tenejapa<\/h5>\n
\u00a9 Antonia Gir\u00f3n Intz\u00edn, 2012<\/strong><\/h5>\n

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Mi hermanita Cristina \/ Ma petite soeur Cristina, une fille Chamula\u00a0
\u00a9 Xunka\u2019 L\u00f3pez D\u00edaz, 2000<\/strong><\/h5>\n

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Creencias de nuestros antepasados \/ Croyances de nos anc\u00eatres
\u00a9 Maruch S\u00e1ntiz G\u00f3mez, 1998<\/strong><\/h5>\n

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Ixim \/ Ma\u00edz\u00a0
\u00a9 Emiliano Guzm\u00e1n Meza, 2004<\/strong><\/h5>\n

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Bien que les photographes du CPP<\/em> ne traitent pas explicitement les th\u00e8mes de la paix et du conflit, leur travail c\u00e9l\u00e8bre et valorise les cultures et les langues indig\u00e8nes. En dirigeant l\u2019objectif de l\u2019appareil sur leurs traditions et leur histoire, ces photographes font un acte de r\u00e9sistance. Leur travail pr\u00e9serve et partage leur culture selon leurs propres termes, en r\u00e9ponse \u00e0 des si\u00e8cles d’appropriation par des \u00e9trangers.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.27.0″ _module_preset=”default” background_color=”#EBEFE6″ custom_margin=”46px|auto|61px|auto||” custom_padding=”91px|||||” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_testimonial author=”Maruch S\u00e1ntiz G\u00f3mez” company_name=”Artiste ind\u00e9pendante et ancienne participante et membre du personnel de CPP ” font_icon=”||fa||900″ use_icon_font_size=”on” _builder_version=”4.27.0″ _module_preset=”default” body_font_size=”31px” body_line_height=”1.2em” author_font_size=”24px” author_line_height=”1.2em” custom_padding=”|0px||4px||” border_width_all=”0px” global_colors_info=”{}”]<\/p>\n

\u2018Il est tr\u00e8s important que les indig\u00e8nes prennent des photos de nos propres cultures pour que d’autres indig\u00e8nes, au Mexique et dans d’autres pays, nous connaissent. De cette mani\u00e8re, nous pouvons pr\u00e9server et montrer nos cultures traditionnelles, et les partager pour que les g\u00e9n\u00e9rations futures puissent apprendre et se souvenir’.<\/em><\/p>\n

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K\u2019in ta Chamula<\/strong>
Celebration \u00e1 Chamula
\u00a9 Genaro S\u00e1ntiz G\u00f3mez, 1997<\/strong><\/h5>\n

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Ch\u2019abal sbi<\/strong>
Sans titre
\u00a9 Juana L\u00f3pez L\u00f3pez, 2000<\/strong><\/h5>\n

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Chiapas Photography Project (FR) Pays: Mexique Participants: Communaut\u00e9s indig\u00e8nes, Chiapas Site internetJpimil kotonMyon pull-over\u00a9 Xunka\u2019 L\u00f3pez D\u00edaz, 2000Form\u00e9 en 1992, Chiapas Photography Project (CPP) est un programme de photographie indig\u00e8ne bas\u00e9 au Chiapas, au Mexique. Il propose des ateliers de photographie aux communaut\u00e9s indig\u00e8nes et abrite une archive de photographies indig\u00e8nes. L’\u00c9tat du Chiapas, situ\u00e9 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1289","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/pages\/1289","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/comments?post=1289"}],"version-history":[{"count":3,"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/pages\/1289\/revisions"}],"predecessor-version":[{"id":1725,"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/pages\/1289\/revisions\/1725"}],"wp:attachment":[{"href":"https:\/\/imagingpeace.org\/index.php\/wp-json\/wp\/v2\/media?parent=1289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}